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amistad movie review
amistad movie review

Morgan Freeman is great as usual and really has a great and signifigant role.

Storyline Amistad is the name of a slave ship travelling from Cuba to the U.S. in 1839. As with Schindler’s List, Spielberg allows his subjects to be remote and somewhat unknowable human beings, creating an air of documentary-like authenticity. | Rating: C Amistad is a wonderful and brilliant film by Steven Spielberg, but it still has some major historical inaccuracies. We see his wife, and his village, and something of his life; we understand how cruelly he was ripped from his life and ambitions. But they guide it instead into U.S. waters, and the Africans find themselves in an American court. The elements of the film at times just don't work, and Spielberg, who usually makes great films, makes the film's subject matter almost silly at times instead of compelling. Movie Info In 1839, the slave ship Amistad set sail from Cuba to America. As a result, the movie doesn't have the emotional charge of Spielberg's earlier film--or of “The Color Purple,” which moved me to tears.

However it's not without its flaws. His performance makes this film worth seeing. But in praising it, I touch on the film's great weakness: It is too much about the law and not enough about the victims. During the long trip, Cinque (Djimon Hounsou) leads the slaves in an unprecedented uprising. He speaks no English, but learns a little while in prison, and a translator is found who helps him express his dismay at a legal system that may free him but will not affirm the true nature of the crime against him. | Rating: 3.5/4 Schindler's strategies are ingenious and suspenseful, and lead to a more gripping and powerful film than the legal tactics in “Amistad,” where lawyers in powdered wigs try to determine the origin of men whose language they do not speak.

But it has more moments that will put your hair on end than other filmmakers' best works, and that says something.

I do appreciate the unflinching way the film looks at the slave trade and Djimon Hounsou's performance is startlingly intense, but this could have been so much more .

But from the world's most powerful, successful and famous director, we expect more. Don’t worry, it won’t take long.

Amistad is certainly a film of considerable power. Heartfelt without resorting to preachiness, Amistad tells an important story with engaging sensitivity and absorbing skill. Don't have an account? and the Terms and Policies, Freed slave Theodore Joadson (Morgan Freeman) wants Cinque and the others exonerated and recruits property lawyer Roger Baldwin (Matthew McConaughey) to help his case.

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In short, a wordy courtroom drama which seldom progresses beyond ciphers, stereotypes and salutary slogans. His new film centers on the legal status of Africans who rise up against their captors on the high seas and are brought to trial in a New England court. Fortunately, the dry, courtroom banter is interjected with powerful accounts of the violent, inhumane atrocities inflicted on the slaves by Spanish merchants.

But from the world's most powerful, successful and famous director, we expect more.
He really makes the film feel epic and has really given me a new view on slavery. Just leave us a message here and we will work on getting you verified. Coming Soon, Regal Get the freshest reviews, news, and more delivered right to your inbox! Djimon Hounsou's performance depends largely on his screen presence, which is formidable.

I expected so much more with this film, but in the end, it touches the tip of the iceberg of this real historical account, and becomes more of a court room drama, which many viewers will probably find not that great.

The percentage of users who rated this 3.5 stars or higher. Spielberg seems to be dividing his filmmaking output into two distinct halves: in the summer months cranking out no-brainer dinosaur flicks...in the winter season unveiling his serious artistic stuff to edify the adults and woo the Oscar crowd.

During the long trip, Cinque (Djimon Hounsou) leads the slaves in an unprecedented uprising. In short, a wordy courtroom drama which seldom progresses beyond ciphers, stereotypes and salutary slogans. Home Box Office (HBO), Critical Consensus: "Dead Man’s Chest" Is Overstuffed; "Scanner" Shines Darkly, January 9, 2018

This legal distinction is not made as clear as it could have been; the international slave trade had been outlawed by treaties by 1839, the year of the landmark Amistad incident, but those who were already slaves remained the property of their masters--as did their children. 'Amistad' may not be the first, or fifth, or tenth film people talk about when Spielberg's name comes up. Spielberg's films never lack a certain degree of narrative and visual force, but his tendency toward sentimentality, a strictly antipodal, Good-vs.-Bad conception of character, and an insensitivity to structure have consistently marred his work... Steven Spielberg's engaging, heartfelt and well-made drama delves into a critical incident in the history of slavery in America. We want to hear what you have to say but need to verify your account. The cause is supported by two Boston abolitionists, a former slave named Joadson (Morgan Freeman) and an immigrant named Tappan (Stellan Skarsgard).





Spielberg has done another great film that is (along with Empire of the Sun) one of his best forgotten films.

A group of 53 Africans held captive on the slave ship La Amistad break free of their shackles, arm themselves and forcibly take control of the ship.

Brief moments of visceral fire allow glimpses into the rousing movie this could have been.



They rise up against the Spanish crew of the ship, which is taking them from a Havana slave market to another destination in Cuba.

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His new film centers on the legal status of Africans who rise up against their captors on the high seas and are brought to trial in a New England court. |, December 15, 2017 Just when you thought you had seen the best movie there is about a historic seagoing vessel, along comes Amistad. The percentage of Approved Tomatometer Critics who have given this movie a positive review. |, June 24, 2006

They are unlucky at first with their defense team, which is led by Roger Baldwin (Matthew McConaughey), a real estate lawyer who bases his case on property law and only slowly comes to see his clients as human beings. and to receive email from Rotten Tomatoes and Fandango.

|, June 18, 2002 Steven Spielberg crafts a good historical drama. But it has more moments that will put your hair on end than other filmmakers' best works, and that says something. Amistad is worth seeing for the stormy scenes on board the slave boat, and for Djimon Hounsou's magnetic performance. and to receive email from Rotten Tomatoes and Fandango.

What is most valuable about “Amistad” is the way it provides faces and names for its African characters, whom the movies so often make into faceless victims.

|, February 13, 2006

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The moments of greatest emotion in “Amistad” stand outside the main story. By opting to have your ticket verified for this movie, you are allowing us to check the email address associated with your Rotten Tomatoes account against an email address associated with a Fandango ticket purchase for the same movie.
And there is a touching scene between lawyer and client in which Joadson at last talks to Cinque as a man and not as a piece in a puzzle. | Top Critics (14)

Amistad is the telling of an interesting event in American history, but doesn't draw its audience in to the heart of the story. | Rating: 4/5

Nigel Hawthorne plays President Martin Van Buren, who is portrayed as a spineless compromiser who wants only to keep the South off his back; the character is played in the same note as his pathetic old George III in “The Madness Of King George,” when more shrewd calculation might have been effective.

By Fred Harvey The History Place 12/20/97. Coming Soon. Movie Review. Otherwise, it can't decide on its direction, and this unique historical event is stifled into a less than thrilling courtroom drama.



Ever since Spielberg began “Amistad,” the story has been hyped and hailed as a great untold chapter in American history, an event to put beside Nat Turner's uprising. Matthew McConaughey's character is necessarily unfocused as the defense attorney; he proceeds from moral blindness to a light that surprises no one, and while we are happy for him we are not, under the circumstances, much moved. “Give us free!” Cinque cries in a powerful moment in the courtroom, indicating how irrelevant a “not guilty” verdict would be to the real facts of his case. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013.

But I think as long as people like me still love the films, than they live on forever.

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